Reasons for Hope: Ellen

Met a nearly blind woman named Ellen today in front of the Andrew Heiskell library for the blind who has been devouring books since childhood, and makes the trek to the library on 20th Street from Brooklyn via Access-a-Ride for the large type, so she can “hold a book in her hands,” and feel the paper and smell the smell of books. She was born in the Bronx and diagnosed with MS eight years ago.  She says she will keep reading till she has no sight left.  Her son also reads her several books a week. She lamented that people now treat library books so disrespectfully. She said she never folds down a page or cracks a binding, and she has all her childhood books pristinely awaiting her grandchildren, should they come. When we confessed we actually work in publishing she became radiant with joy and said, “You are so lucky!,” which we suppose we are.

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Long Live St. Mark’s and Friends!

We were most saddened to read recently of downsizing at St. Mark’s Bookshop.  “Is this a nightmare? Pretty much,” writes Harriet of the Poetry Foundation blog. “Vanishing New York” posts this alarming photo.

St. Mark’s was the first bookstore to stock Little Star and has faithfully carried us in a big pile.  In recent years it became the eminence grise in the, to this reader, quite unexpected renaissance of independent bookselling in New York City. Let me name names.  What a joy that we have Greenlight, McNally Jackson, Book Culture, Spoonbill & Sugartown, Freebird, Bluestockings, Idlewild, and that great wellspring, The Strand.  In the Boston area even our tiny selves are stocked by Trident, Harvard Bookstore, Grolier, and Porter Square Books, and elsewhere by the redoubtable Regulator in Durham, Books & Books in Miami, and Powell’s in Portland, Oregon. We all owe so many hours of pleasure, and such broadened reading horizons, to the proprietors of these great institutions. (If you’re a bookstore and would like to join this august company, by all means give a shout.)

For an appreciation of St. Marks’s role in the sustenance of small magazines in particular, sea Pankaj Mishra in The Guardian here.

That St. Mark’s is struggling is bad news for us all.  Please buy books from your local bookseller, and order through them when you can.  (We ourselves link most of the books mentioned on this site to their online store.)

UPDATE: A petition is now circulating calling on Cooper Union, St. Marks’ landlord, to charge them a liveable rent that will allow them to survive.  Please sign here.

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Binyavanga Wainaina, Some scenes from a Kenyan childhood

It is a Sunday. I am nine. We are sitting on a patch of some tough nylon grass next to the veranda. Mum has brought out her Ugandan mats. I am reading a new book. I am reading a new book every day now. This book is about a flamingo woman; she is a secretary, her sticklike legs improbable in cloggy high heels, her handbag in her beak.

Flying away.

The flamingo book came with a carton of books my mum bought from American missionary neighbors who were going back home. The sun is hot. I close my eyes and let the sun shine on my eyelids. Red tongues and beasts flutter, aureoles of red and burning blue. If I turn back to my book, the letters jumble for a moment, then they disappear into my head, and word-made flamingos are talking and wearing high heels, and I can run barefoot across China, and no beast can suck me in, for I can run and jump farther than they can.

On my trampoline of letters and words.

Mum is shelling peas and humming, and our bodies all hum smoothly with her. Chiqy is peeling petals off flowers; Ciru is running around with a yo-yo Continue reading »

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Philip Roth in New York

A vigorous pleasure: four very strong and mutually contradictory readings of Philip Roth’s recent Nemesis at the Yivo Institute, followed by a few minutes with the author (link here).

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Roth’s coda to the events at Yivo was a time-stopping reading of the last four pages of Nemesis, in which the hero, a sports instructor named Bucky Cantor, throws a javelin for a clutch of city boys. The reading itself arced over the preceding gladiatorial show with effortless grace.  Bucky’s “lightly held javelin” recalled nothing so much as the voice of his creator, holding his classical tupos in the light grip of a Newark late-afternoon.

We were startled that none of the commentators, who addressed themselves with capacious cultural range to the strictly bound moral universe of Nemesis, dwelled on its tonal departure from the Roth we have known, for whom, over the years, to varying degrees, human destiny is as often subject to anarchic forces of desire and rebellion as moral calculation. To this reader, Nemesis was less a moral argument than the unspooling of a hypothesis: were a character able to act according to his own best nature, what would transpire? How would he sound and feel to his creator?  How would a story collect around him? Mr. Cantor knows few moments of abandon.  The novel’s one erotic consummation is quite deliberate and, for Roth, coy. And yet it would be hard to say whether fate or his own nature disposes of him more mercilessly.  To me Nemesis is not the greatest Roth, in which centrifugal forces are whipped up by story and language and character like a primal wind.  Mr. Cantor is not large enough to hold all that Roth can make. (As Mr. Cantor lifts the javelin Roth describes every item of his musculature, but stops at his neck.)  Yet it is a remarkable feat of self-witholding, a very delicate construction of elements forcibly minimized, reduced to a kind of hieroglyphic human situation, presented for a moment of pure reflection.  Yivo’s old-fashioned disputandem, in which all the parts are vigorously scrutinized, only to be trumped by the ineffable harmonies of the whole, was the best sort of gloss one could hope for in real-time literary experience.

Read Nemesis for yourself!

Here’s Coetzee, another writer in whom the coolness of analysis contends with chaos, on the subject.

And for that other Roth: the great Sabbath’s Theater.

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Zagajewski on Rilke

Out recently: the paperback edition of Edward Snow’s translations of Rilke, with Adam Zagajewski’s capacious introduction. From which:

Maybe it’s more interesting to see Rilke’s work as not as virginal, not as ethereal, as it seems to many readers. After all, like the majority of literary modernists, he is an antimodern; one of the main impulses in his work consists of looking for antidotes to modernity. Heroes of his poems move in a spiritual space, not in the streets of New York or Paris, but they also, because of their intense existence, are meant to act against the supposed or real ugliness of the modern world. Even Rilke’s snobbery, hypothetical or not, can be seen as corresponding more to his ideas than to the weaknesses of his character: aristocrats represented for the poet the survivors of a better Europe, a chivalric continent, as opposed to the degredation caused by profit-oriented modernity, cherishing mass production and car races. He was not alone in representing this position—it will be enough to refer to the aesthetic movement and Walter Pater, who preceded him by one generation. Had Rilke met Marcel Proust, who was born only four years before our poet Continue reading »

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Tim Parks: Run, don’t walk, then sit

A heartfelt plea: Read immediately Tim Parks’s new book, Teach Us to Sit Still, published today. The book comes disguised as medical self-help or new-age how-to, but it is not: It is an original and courageous exploration of the ravages of the thinking life.

Says Coetzee, Teach Us to Sit Still is a “quest for relief from chronic pain that begins with learning how to breathe and ends in something close to spiritual transformation.”

Read sections from it here on Little Star:

Paradoxical Relaxation
The Skeptic Meditates

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Two Ghazals, translated by Elizabeth T. Gray, Jr.

LS contributor Elizabeth T. Gray, Jr., sends new translations of two ghazals, one by the fourteenth-century master of the form, Hafiz-I Shirazi, and one from 2009, written by poet Simin Behbahani after national elections in Iran ended in mass demonstrations and violent crack-down.

Hafiz-i Shirazi
GHAZAL

[Hijab-i chehr-i jan mishavad ghubar-i manam]

The dust of my body veils the face of my soul.
Happy the moment I can pull the veil from that face.

Such a cage is unjust, because my voice is beautiful.
I am a bird of Heaven’s garden. I will go there.

Where I was and why I came are not clear.
It’s too bad I don’t understand.

How can I circumambulate the vast expanse of Heaven
when I am boarded up in the mud brick house of my body?

If the scent of joy spills from my heart’s blood, don’t be surprised,
for it is like the musk sac of a stag from Khotan.

Don’t be distracted by the flickering of my gold-embroidered shirt,
for hidden fires blaze beneath it.

Come, take Hafiz’s life from him.
As long as there is you, no one will hear from me that I am I.

 

Simin Behbahani
ON THE PRAYER MAT OF VIOLENCE AND AGGRESSION

[Sajadeh farsh-i ‘unf-o tajavor…]

O you who preach the sharia on the prayer mat of Rape and Violation—
Whose hand has blinded you to the murder of Faith and Compassion?

Every night those who can’t take it any more cry “Allah-u Akbar!”
We are a volcano that has shattered the demon’s wing.

They are so blood-drunk that Fairness means nothing.
Continue reading »

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Poets in Their Youth

Scenes from newly published memoirs by Durs Grünbein (The Vocation of Poetry) and Les Murray (Killing the Black Dog).

Durs Grünbein: “For me it all started with a noise—a not at all harmless noise—more of an acoustic irritation. The strange thing about it was its suddenness and the rift it left in my overall perception. In those days, I used to roam the fields and woods on the northern outskirts of Dresden, where my parents and I had moved into affordable housing. Throughout my school years and beyond, Hellerau—a model suburban picket-fence community since long before World War II—was the place from which I would strike out, alone or with friends, to explore my small world. Immediately behind Hellerau’s low, picturesque row houses with their prim gardens, there began a rugged, artificial wilderness made up of landfills, sand dunes, and fir groves—a stretch of hill country largely used for military exercises, such as extensive maneuvers with tanks and other machinery; that’s why the locals referred to the forest bordering on Hellerau as the ‘Russians’ copse.’ We used to spend whole afternoons there, oblivious to the past glory of the crumbling and widely mourned baroque city down in the valley. Then, one day, as I was wandering Continue reading »

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Two Poets from Adam Zagajewski: Tomasz Rozycki and Marie Lundquist

On Monday, March 28, Tomasz Różycki and Marie Lundquist will read with Adam Zagajewski in the Tenth Muse Series at the 92nd Street Y in New York.  Here is a poem from each.

CINNAMON AND CLOVES
by Tomasz Różycki, translated by Mira Rosenthal

I’m lying here with a hole in my head
through which the spring is peeking in at me.
And, Dad, the walls are blooming, wallpaper
and chair and velvet couch all blossoming.

Exotic birds can finally escape. And so
today the mannequins are in control.
They’re decorating kitchen walls with pictures
from children’s books. The mailman is to blame.

From the start, I knew it would end this way,
the first time I got that letter with spices
from the colony. Later they arrived
without a word of warning, day or night,

so fragrant, bright, I had to hide with them
in darkness, all alone, and close my eyes.

Continue reading »

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2028. A trusted member of the security services embarks on a royal errand.

Vladimir Sorokin, translated by Jamey Gambrell

.

We first drive along the highway, then turn onto a narrow road. The road stretches through woodlands, then crawls into the taiga. We ride silently. Pines, firs, and deciduous trees surround us, heavy with snow. But the sun is already heading toward sunset. Another hour or so and it will be dark. We drive about ten versts. Our Zhu-Ba-Ze turns onto a snow-covered country road. My city Mercedov would get stuck right away. But the Boar couldn’t care less—the one-and-a-half-arshin tires chew up the snow like a meat grinder. The Chinese boar barges through the Russian snow. We continue on for a verst, then another, and a third. And the age-old taiga suddenly opens. We’ve arrived! A fantastical tower rises over a wide clearing; it’s built of ancient pines, has fanciful turrets, latticework windows, carved window casings, a copper-tiled roof, and is topped with a weather cock. The tower is surrounded by a ten-arshin pike fence made of incredibly thick logs sharpened at the top. Neither man nor beast could crawl over those pikes. Perhaps the stone Yermak Timofeevich might try, but even he would scrape his granite balls.

We drive up to the plank gates coated in forged iron. The Zhu-Ba-Ze sends an invisible, inaudible signal. The bolts slide back. We drive into the courtyard of Praskovia’s estate. Guards in Chinese attire surround the car with swords and cudgels. All the clairvoyant’s inner guards are Chinese, masters of kung fu. I get out of the Boar and climb the steps of the carved entrance, decorated with Siberian animals carved out of wood. All the beasts here exist in loving harmony. It’s not a portico, but a wonder of wonders! Here you have a lynx licking a roe deer’s forehead, wolves playing with a boar, hares kissing foxes, and grouse sitting on an ermine. Two bears support the pillars of the doorway.

I enter.

Inside everything is totally different. Here there’s nothing carved, Russian. Smooth, bare walls of marble, a granite floor illuminated green from below, a ceiling of black wood. Lamps burn, incense smokes. A waterfall streams down a marble wall, white lilies float in a pool.

The clairvoyant’s servants approach me silently. Like shadows from the afterlife, Continue reading »

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